FUBAR
I finally went to see Fahrenheit 9/11, after reading a bunch of reviews and talking it over with friends (some who’d seen it, some who were apprehensive but planned to). I wasn’t really sure to expect; any expectations I did have were low. I figured the film would be somewhere between mildly annoying and royally upsetting – emotions generated either by the subject – or Moore’s treatment of it.
Overall, I agree with many of the criticisms and praises I’ve heard and read. It has some of the flaws that his other films have, and his tendency to lead in interview subjects (and cut in) is particularly bad form. But the style of storytelling (top down, then bottom up) and the general messages of these parts really worked. It made me cry (which is not hard) but it also surprised me (which is a little more difficult).
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It really *was* well edited. The sound-only portrayal of the towers falling was especially powerful. I kept wondering how that black square looked to the audience – each of us seeing our television, our computer screen, or faces of friends and loved ones as they tried to deal with the news. This, followed by so much slow-mo footage of papers and ashes floating in the sky… compelling.
I was similarly moved by the footage of soldiers and civilians dealing with onslaughts they didn’t expect or understand. It’s one thing to see photographs of maimed children, disgruntled servicemen and wailing women – it’s another to see it all in motion and set end to end with music. His craft has definitely improved, and his punk-ish instincts gave over to empathy and quieter contemplation more often than I would have predicted.
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I disagree with Justin about the shots of Bush Senior with the Saudis.
I agree that we have to avoid demonizing any particular group unduly (tho the Saudi government certainly has issues) and I get that business today is about lots of handshakes across lay-lines. But I think the segment was right on. It demonstrated the point that GWB has an incredible amount of influence over a broad selection of powerful and affluent people – and that the Bushes (and Bushies) have used this influence to play both ends against the middle for great personal gain.
It’s important to embrace economic progress – but it’s crucial that we maintain boundaries between geo-political and financial maneuvering. That’s what democracy’s all about, right? Managing the forces that shape the economy so that everyone gets a fair shake? At least – nominally? The scene where Dubya addresses “the haves – and the have mores” as “my base” is pretty damning. One wonders what his writers were thinking.
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On the other hand: the story of workers as sacrificial lambs can get tired, and Moore *could* have flogged us with it endlessly – but he didn’t. The contrast between capital interests and working-class devotion came off as a powerful one. What was the goal of his bi-directional approach?
I felt he was pointing a finger at the converted here. People like myself, who are somewhere in that murky place where both narratives meet. Us liberal indignants – sucking up the sentiments of MoveOn or The Believer or The Economist… pissed but somehow (effectively) agnostic. Like the kids along the back wall at a rock show – too cool to head-bang. Bored, but eyeing the stage… waiting to be entertained. What will it take?
I ask honestly, not glibly. Apathetic as the next person, I contribute little to larger political causes, content to work on my pet projects and theories. I stay relatively uninformed, because I know I’m not trying to be part of the solution – and knowing more only makes me feel worse about both the situation and my (willing?) powerlessness.
In a big way, this film only reinforced that trend. I left the theater feeling totally exhausted and overwhelmed. Not because there was a ton of news value in the message – but because it was honed well for my brand of politics.
I guess what I would like is more analysis – more indication of how we can avoid this kind of thing in the future. Perhaps the colossal mess we’re in now will be enough to keep the next generation of voters from punching based on what Fox News offers as bait. I certainly hope so.
But I can’t help feeling dubious. We can vote Bush out of office, but is there any way to fix what’s been broken? Beyond lives lost and hatreds roused, to the lax media and public, and the cycle of finance that feeds and feeds upon ignorance and fruitless skirmishes. It seems so hopeless!
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Once a goth, always a goth I suppose. I’m listening to Bauhaus and working on my coin tricks right now.
Actually, I’m puzzeling over this wacky fetish site (suggested by a friend at the office who *actually knows* the guy who runs it)… which even features a blog! Goths and balloons – who knew? My (office safe) favorites here and here.
Western culture is base and depraved? Goths all about being down? Lies, lies and more lies, I tell you. And more just around the corner, at the top of the hour. Stay tuned, America!
Of course, it’s just a shadow. Nothing compared to the views beamed home by the 
















